Countess Marguerite van Dorn
Hosts the ball, owns the diamonds, and is selling the house.
A grand Art Deco ballroom on the eve of a wedding
Twenty guests. One necklace. No time to hide it.
The Marchand diamonds are being displayed for one night only, ahead of a wedding that half the city has been invited to disapprove of. In the middle of the second dance the lights fails, the safe is opened, and a guest is found dead holding the case. Nineteen people dress beautifully for a secret they would rather keep.
The Diamond Ball plays in three acts with a dinner break the script plans for. Times below assume a 7pm start; every kit includes a version for a later table.
Guests are announced and seated by table, which also assigns them a group of suspects. A toast from the bride's father is interrupted by a very private threat.
The room goes dark for ninety seconds. When the lights return, the safe is open, the case is empty, and a body is on the floor.
Each table presents a theory. The host then reveals the two sets of clues only the killer knew to hide, and the confession is read.
Six to 20 roles are written; the kit scales down by folding the smallest parts into the host. Each character arrives with a public face and a private problem.
Hosts the ball, owns the diamonds, and is selling the house.
Charming, in debt, and engaged to someone who can fix both.
Insured the diamonds twice and lost them once.
Off duty, uninvited, and exceptionally well informed.